Freewheeling With Free Motion Quilting

Lamb silhouette - quilted using free motion quilting techniques

For quilters everywhere – but especially for fabric artists – free motion quilting is the most fun you can have outside of bars & bed.  In fact, as my amazing quilter friend Barb often says, “Quilting keeps us off the streets and out of the bars,” in the first place. 

You might be able to tell that free motion is my favorite part of the entire quilting process.  

I can get positively tipsy on the entertaining, creative liberties of freewheeling around loops, spirals, feathers, shapes, and those odd jigsaw shapes only I understand.  I guess this is because it incorporates two of my favorite elements in fabric art; thread and freedom

Thread is one of my guilty addictions, I positively adore it. 

I love the plethora of colors and the way they can enhance any project; the colors…thicknesses…textures…variations…and possibilities. 

The freedom comes with the free motion capabilities of my machine of course.  And I do recommend that any creative quilter buy a machine that has a free motion quilting foot and put it to good use!  But I also geek out over the opportunity to quilt whatever and wherever I choose.  It’s extremely liberating! 

“FREEDOM!!!”

It’s also a little intimidating and overwhelming the first few times you try it. 

For those of you who are used to being told exactly what to do and how to do it every step of the quilting process, this is completely understandable.  I used to do things this way, and I would obsess about the final quilting process – especially when the pattern would say, “quilt as desired.” 

I mean, what did THAT mean?  Gradually, though, I realized that I could quilt almost anything, and it would look great, especially with the right thread choice. 

As I share my journey from timid, mouse-in-the-corner, follow-the-lines quilter to a freewheeling genie, I hope you’ll get inspired to unleash your inner creative tiger, and let loose in the colorful world of thread and free motion quilting.

Plastic Guidelines for Free Motion Quilting

As I quickly learned quilting styles like “quilt-in-the-ditch” will only take you so far.  And while those are useful techniques that certainly have their place in certain projects, you can do and be so much more when you drop the feed dogs and spin your quilt through the machine.

Using Iron-out Pens

When I first started with free motion quilting, I bought a lot of those plastic quilting guides that you lay down over your project and trace over with an iron out pen. 

This is great if your project needs a specific pattern, but is very impractical when you’re doing a large project as it takes a long time.  Ya’ll may remember my great capacity for patience…so, yeah.  Moving on.

Using plastic guides also uses up your iron-out pens pretty quickly, and those puppies don’t come cheap!

Using ponce chalk

After this I tried the ponce and chalk option.  A ponce is basically a small box with a sort of cheesecloth bottom.  You fill the box with powdered quilting chalk and bang it down over your plastic quilting guide until the chalk marks out your quilting design.

 I found out that while it certainly is faster, it’s also a great deal messier, with chalk on everything, including up your nose and in your eyes. 

The biggest trouble here is that powdery chalk, by its very nature, rubs off, and you can only do relatively small sections at a time.  Also, I discovered that some fabric is slippery (even cotton ones), and the chalk just slides right off. 

Also the pattern is much clearer if you have extra hands hold the plastic guide down – and my kids had a weird aversion to me banging the ponce down over their fingers.  Go figure. 

So now, if I have a specific pattern I want, and the fabric is dark, I will use chalk, but I use my chalk line drawing tool and I only do this if the overall project is small. 

This method made the star shapes on my ‘Camel Panel.’

Unavoidable Errors 

I also learned that the only real way to get a perfectly quilted design is to have a long-arm, computerized quilting machine.  But since I don’t have $30,000 to spend on a machine that won’t fit in my house anyway, I had to learn to live with human errors. 

At first these unavoidable jigs and jags would make me wince, but no one ever noticed them except me, and given enough time, even I could barely find them. 

So I thought, “what the heck, why go to all this trouble if no one but me really notices.”

Next, I bought a few free motion quilting how-to books that teach you how to do this the “right” way.  And if you’re drawing challenged – like my girls – these might really work for you.  I can’t recommend any of them, however, because that’s not how my mind works. 

I also find it impossible to make every shape the exact same size each and every time. 

This is especially true when I quilt the feather shape – my feathers change size and shape with alarming regularity. 

Natural Free Motion Quilting Styles

Finally, I found a teaching video by Judy Hansen entitled Free-Motion Quilting for Newbies, it’s an absolutely super teaching video. 

What I liked most about it was that Judy gives you permission not only to experiment, but also to make what I used to call a mistake but she only considers variations in the pattern.  As she says, “Nothing in nature matches, so don’t worry about your quilting patterns matching exactly.”  What freedom! 

This permission slip really started my creative juices flowing, and now I am fearless when I start quilting a new project.

No one will know you’re perfect – even if you are

The thing you’ll notice is that non-quilters will be so awed by your talent that they’ll never notice a few wigs and wa-wa’s.  More importantly, when you stop trying to impress everyone with your perfection you’ll set your soul free.

Amazingly enough, you’ll also find that the brain sees what it expects to see.  Your eye may be seeing one thing, but your brain will present a completed image.

For example, if you’re looking at a quilted piece your brain will show you a beautifully quilted overall pattern, no matter the wa-wa’s.  You have to actually stop and look very carefully before your brain picks up any ‘imperfections’.

Most people will not take the time to do this, and you’re home free!

Listen to your quilt

This’ll sound weird to non-quilters, but if you listen to your quilt project every step of the way, it will tell you what pattern that it wants to be quilted with. 

For instance, my ‘Winter Wonderland Panel’ wasn’t originally a fantasy landscape.  I came to understand, however, that there were fairies hidden in the woods.  They were shy, but definitely proud of their wings. 

So, if you look closely, you will find 3 sets of fairy wings in my quilting.

In the mermaid quilt that I’m currently sewing, I’m going to use a wave pattern, as the borders represent the ocean.  So look carefully at your project and let it tell you what it needs to really shine.

Thread – Thread – Thread – And More Thread

Think carefully before you pick your quilting thread. 

The color you choose will make a great deal of difference to the finished look of your project.  Here again, the quilt will let you know. 

Sometimes you’ll want to highlight the design and not the quilting, and so you’ll need either invisible thread or a color that matches exactly.  This is what I did with my mermaid panel.  I wanted her to shine and the quilting to be almost invisible. 

If the opposite is true, and the quilt design isn’t such a much, pick thread that will really make your quilting design pop right off your project. 

I like to try my choices out on a scrap of corresponding fabric first, to make sure that my thread color and design are going to look like I think they will. Practicing on a fabric scrap will also let you adjust your tension and motor speed.  If something isn’t right, you won’t have to pull it out.

Think of everything in the box

To aid in picking out the right thread, I go through all my thread boxes and pull out anything that I think might even remotely work. 

Two rows of different variegated threads on different sized spools - beautiful, vibrant colors

If I can’t tell if the thread is right just by laying the spool on my project, I unwind about a foot of it and puddle it on my project.  This makes it fairly easy to see what it will look like once you sew with it.

Don’t be afraid to try some really odd combinations – sometimes the weirdest thread/fabric combos are just what is needed.  

A word about the importance of bobbin thread in free motion quilting

Your bobbin thread is important – and usually you’ll want it to just disappear into the backing of your quilt.  Sometimes, however, your machine will drag the bobbin thread through to the front, just enough to show. 

If this happens, make sure that your bobbin thread disappears on the front even at the expense of the stitching showing on the back. 

Before you load your bobbin into the bobbin case, I highly recommend that you first insert a magic bobbin washer.  These are Teflon washers that feel like plastic.  They go between your bobbin case and your bobbin, and fit any home sewing machine. 

They’re made by a company called “Little Genie” and are absolutely magical in what they do for your quilting!  If you’ve ever quilted a project and turned it over, just to discover a bunch of birds’ nests, you will know why you need this super little invention. 

Such a simple thing, yet these little washers will eliminate 95% of all backlash tangles and birds’ nests on the underside of your quilts. 

They come in a package of 12 and are very reasonably priced.  Since they’re made out of Teflon they don’t wear out – I’ve only ever purchased one package and I’ve been using them for about 6 years. 

The only trouble is that if you’re not careful when you take your bobbin out of its case, these little rascals will pop right out and fly away. 

Good thing I have my kids to crawl around on the floor to find them again!

Not All Quilts Are Quilted Equally

Once you know what pattern you want to quilt and the top thread you’ll be using, give some thought to different areas of your project. 

This is especially true for quilts that are made using printed fabric panels

You may want to free motion quilt around the shapes in the panel, and then stitch in the ditch around whatever quilting blocks you’ve used to enhance the panel – as was the case with my ‘Home Pastures’ quilt. 

Some areas only need a straight quilting stitch, no matter the pattern you’ll be sewing, but sometimes a smaller area will be screaming for a fancy stitch.  If your machine has this feature, don’t be afraid to explore these.  My Bernina has about 70 fancy stitches and I use these a lot, but only in small areas. 

A word of caution, each different stitch usually has a motor speed that optimizes the pattern.  If you try sewing that particular stitch too fast or too slow, the pattern will be skewed. 

This used to frustrate me horribly until I sat down one day with a lot of scrap fabric, and played with each stitch and the motor speed till I found the optimal combination.  I wrote it all down and Suzanna made me a chart that I keep in my sewing feet box. 

Now, all I have to do is reference my chart and I’m good to go.  I would highly recommend you do the same for your machine – it saves a great deal of time, frustration and thread!

Let’s Go Freewheeling with Free Motion Quilting

Now you’re finally ready to start! 

  • Your quilt sandwich ironed and crease free
  • Your machine is loaded with your choice of thread
  • And you’ve set your machine to the stitch you’ve chosen.

Now it’s time to put on the clear plastic free motion quilting foot, drop the feed dogs, position your quilt at your chosen starting point, and put the pedal to the metal. 

Tips to Make Your Free Motion Quilting Go Faster & Look Better

1.      Don’t trim your project before you quilt it. 

Free motion quilting is especially bad at warping a quilt sandwich in every direction.  If you trim before you quilt you will have to trim again when you’re done and you could lose important parts of your design.

2.      Always start as close to the middle of your project as possible.

This helps you to smooth out any excess fabric to the edges as you quilt and eliminates bunching.  As you quilt, use your hands, wrists or even your elbows to hold your fabric taut.  The tighter you can hold it, the smoother your finished project.  Once you have the middle done, move out towards the edges, smoothing as you go.

3.      Get rid of thread tails before you start quilting.

When you arrive at your starting point, drop your free motion quilting foot, hold onto your top thread and run your needle through the quilt once to bring up the bobbin thread. Pull this through to the front, backstitch a few stitches and then start quilting. 

This eliminates all those pesky thread tails on the back that get tangled in your quilting and are a pain to snip out later.  I used to make the kids do this job, till I learned this trick, and they almost kissed my feet when I started this practice.  Also remember to backstitch when you arrive at the end of your stitching, and snip off your thread as close as possible both front and back.

4.      Don’t be too impatient to get all your quilting done in one go.

Shepherds look at the star of Bethlehem - quilted using free motion quilting techniques

I used to be.  Take the time to stop and tie off when the pattern demands it and then start again somewhere else.  It makes a real difference to the final look.  It can also make a difference to the warping of a quilt – as you can drag the sandwich completely out of kilter if you quilt too heavily to one side or the other without balancing it out. 

5.      Don’t hesitate about changing your thread colors.

If you don’t like the effect of a thread on a differently colored section or the project demands it.  Different colors in different places can make different design elements pop.  Sometimes you may want to use metallic threads in places like eyes (on panel quilts) or match element colors, like on landscaping quilts with distinctive skylines. 

6.      Consider quilting gloves.

I have tried wearing those white quilting gloves that are supposed to help your hands grab the fabric more securely – and they do.  But, (and there’s always a “but” isn’t there), they are a real pain when you need to work with your thread.  Being who I am, this drives me crazy, always having to take them on and off so I stopped using them. If this doesn’t bother you then use them by all means, because they do help.

7.      You can experiment with other quilting helps

Safety pins, bicycle clips, and more help some quilters – but remember that these will always have a downside.  How you quilt best will depend upon your personality (patience level), how big your quilts are, and how easily you find it to create patterns without a guide.

8.      When you quilt always remember to use a fast speed but slow hands. 

There is a great temptation to swoop and dart and swirl around with your quilting because fee motion is so freeing.  However, if you do this (and I did at first) your thread won’t be able to keep up, and there will be many places where your thread will jump large spaces, the quilting will be uneven, and you’ll be able to pull the entire line out with your fingers. 

So always remember, fast needle and slow hands!

These are all the tips I can think of right now.  There is nothing like laying out your project after you’ve quilted it and being thrilled with how it’s turned out.  So be brave intrepid fabric explorers and let your inner quilter loose!

6 Ways to Use Printed Fabric Panels for Quilting Projects

Home Pastures - a project that used printed fabric panels for quilting

One of the hottest new trends in the quilting world, and the unique realm of fabric art in particular, are fabric panels for quilting. These gorgeous panels can feature anything a digital artist can come up with, from peacocks, to cabins, to double-exposure photography panels like the new rave forest animals collections. 

Every time I enter a quilt store or open a quilt magazine there are more of these printed sewing panels available, and they are getting more beautiful and detailed all of the time.

The question is, of course, what do you do with a printed fabric panel?

Have fun with printed fabric panels – after all, how could you not?

As with all the best products in fabric art, there’s actually quite a few things you can do with fabric panels for quilting, and these ideas range in difficulty from great beginner projects to difficult creations suited for confident and experienced quilters.

1.     Add Outer Borders Only – Beginner Level

Some panels are so totally gorgeous on their own that to do anything except add a few borders to finish off the edges would be a shame. 

This was the case with my ‘Away in the Manger’ panel.  It just speaks for itself.  It was gorgeous just the way it came, but when I quilted it the figures literally popped and became very life-like. 

Using fabric panels for quilted wall hangings is a great way to “wet your toes” in the quilting world.  You’ll get practical experience in:

  • Layering a quilt sandwich
  • Quilting either a simple pattern or free-motion quilting
  • Straightening up a quilted edge
  • And binding a small, lightweight quilt

Also, if you’re working up towards the intermediate end of a beginner’s skill level, you can try adding simple pieced borders instead of just strip borders.  You’ll get practice in piecing and measuring, without a ton of extra work.

Adding borders and binding to a printed fabric panel is also a great project for quilters who are too busy for a larger project – or who don’t want to pull a full-sized quilt through a home sewing machine.

So, if you love a panel just the way it is, add one or two borders, quilt & bind it, and let it shine on your wall.

You can also add to a panel by using “sparkly” accessories:

  • Metallic thread
  • Buttons
  • Ribbons, rick-rack, and trim
  • Hot-fix studs and crystals

2.     Use Printed Fabric Panels for Quilted Table Runners – Beginner Level

Another option is not to add any borders at all. 

Simply add batting and backing, quilt as desired, and finishing with a narrow binding. 

Since most printed panels are 22”x44” this makes for a wide runner, but it works fine on a larger table.  This can be a good choice for seasonal panels. 

Both of these are examples of printed fabric panels for quilting just before they enter the quilting process. The ‘Northern Lights Christmas Tree’ will become either a large wall hanging, or a twin quilt, and the ‘Mermaid’ was designed from the beginning to be used in a twin quilt for a little girl.

Or, you can use smaller printed photo panels to make up the larger squares in traditional table runner patterns. One of our more recent projects – the Strawberry Farm-to-Table Runner – uses this technique:

3.     Think of Printed Fabric Panels Like a Blank Canvas – Intermediate Level

Glory of the Harvest - Autumn small wall hanging, what a completed project of a fabric panel for quilting looks like

A lot of panels come with a border of images that are already in the main panel.  For instance, my ‘Glory of the Harvest’ panel came with a border of printed pumpkins, corncobs, maple leaves, etc.    

  • I cut off this border…
  • Fused the shapes with wunder-under…
  • Fussy cut them…
  • And then appliqued them onto the main panel… 

I also found ‘corn-on-the-cob” fabric in the Halloween section and did the same, and then added a lot of autumn themed fabric leaves.  Then I quilted the entire panel with metallic bronze thread. 

The finished piece was not only prettier, it was also fuller and more 3-Dimensional. 

I did the same with my ‘Christmas Delivery’ panel. 

Although I was primarily drawn to the image of the white horse the outside border included an extra red ribbon, holly leaves, etc.  I liked the look, but felt that leaving it that way would look childish, rather than the magical landscape I saw in my head.

So I added a unicorns’ horn to the horse, placed the extra red ribbon around its neck, and added fairies and holly leaves everywhere.  I really loved the finished panel.

You can always add borders to the outsides of panels like this, or even sew them into quilts, depending upon the level of your personal skill and (more importantly) ambition.  When you begin adding more images into a printed fabric panel, you’ll learn how to:

  • Visualize a final result without seeing anything concrete in the immediate
  • Understand sizing and depth – don’t be too surprised if your first panels look just a little too fantastical, at least to your critical eye.  With practice you’ll intuitively understand size and distance relationships.
  • Fussy cut and applique unique shapes into unexpected places

And don’t just limit yourself to the shapes that come with some fabric panels for quilting.

Accessorizing a “blank canvas” can also include buttons, lace, rick-rack, and even permanent marker.  So look carefully at every panel and see if there’s anything you can add to enhance the overall image you’re going for.

4.     Fracture Them – Intermediate Level

Fracturing is a time-consuming and meticulous piecing project, but it’s also a lot of fun. 

Despite my general aversion to anything that smacks of a “precisionist” quilting style, I have done quite a few fractures, and continue to plan new projects.  I think it has something to do with the abstracted result. 

You’ll need 4 exactly identical images to begin with and it’s best not to use images that have discernable eyes – such as in human and animal faces. 

Natural images are perfect for fracturing:

  • Flowers
  • Bridges
  • Landscapes
  • Cars
  • And suchlike

My ‘Poppy Water’ panel was my first fractured panel, and I would definitely recommend starting with something really simple like this. 

Fracturing blurs out precise details and makes the image appear staggered and rippled.  It’s time consuming but well worth the effort.  Fractures are great for learning how to:

  • Sew in measured lines (you’ll have to sew an exact ¼ inch seam)
  • Keep track of small, abstracted strips of fabric
  • Follow a simple sewing pattern
  • Rip seams – this part’s annoying, but fractures are one of those projects where you have to be ready with the seam ripper and a grin, because odds are you’ll mix up at least one strip set

I’m going to write a blog and do a video on fracturing soon, so keep posted.  In the meantime, you can check out the book that taught us how to do it

5.     Cut A Printed Fabric Panel Apart – Confident Intermediate Level

Sometimes there’s one or two images in a panel that really draw your eye, but you’re not thrilled with the background, or one of the extra images. 

There’s nothing to stop you from fussy cutting out the images you like and constructing a new background altogether.  I did this with both my ‘Peacock Panel’ and my ‘Wynter Carolers.’ 

6.     Fabric Panels for Quilting are…for Quilting!  So Incorporate Them Into Quilts – Advanced

As I said before, many printed sewing panels are gorgeous and very life-like and much too beautiful to change in any way. 

So don’t change them, let them shine in a quilt instead. 

There are panels for every age group and any taste – whatever floats your boat.  Last year I had a lady commission me to make a horse quilt for her horse-crazy son.  She wanted it to be a queen and that’s a lot of area to cover. 

I decided to do it with 3 regular sized panels (these are 22”x44”) and 6 smaller panels. 

I incorporated colors from the panels into my borders and the result was my ‘Home Pastures’ quilt, which I think is beautiful. 

It’s also totally unique – I know there’s not another one out there just like it. 

I’m also currently working on a mermaid quilt that will be perfect for a young girl.  Once again it was the gorgeous panel that I couldn’t resist so I bought it and then I had to think about what to do with it.  I’m pretty sure any young girl will be thrilled with the result, and once again, it’s a completely unique creation! 

This is a pretty advanced technique, however.

You have to be able to:

  • Quilt
  • Straighten a quilted panel (and I do mean straight!)
  • Create your own quilting pattern – for Home Pastures I used a pinwheel design, but I had to resize each set of blocks and the strip borders as well, plus figure out the sashing lengths…
  • Sash a quilt – this is a great technique, but it can be a little frustrating
  • Coordinate colors – not always as easy as it sounds
  • Quilt
  • Be ready to get the seam ripper and the measuring tape and start over again
  • Quilt some more

Granted, a smaller quilt is less to figure out – but it still requires a thorough understanding of many different quilting and sewing techniques and styles to pull off. 

I definitely don’t recommend this type of project for a beginner, but it might be a good way for an intermediate level quilter to begin testing her wings, so to speak. 

More than Six?

These are just a few of the ways I’ve sewn with panels in the past.  And I’m sure that there’re many other ways to use printed fabric panels for quilting, and I’m sure you’ll think of them. 

Please, if you find a panel you just can’t resist, let your imagination go and your creative juices flow! 

There’s no right or wrong way to sew with these great additions to the quilting world.  Simply feel free to create!

January-March 2019 Champion – The Amazing Mutating Skirt

Leiajoy Fitzgerald wearing her amazing mutating skirt, a crochet project gone wrong, on the beach at a business conference in Florida

Suzanna Fitzgerald is our January-March 2019 Seam Ripper Champion for her sadly hilarious tale of a simple crochet project gone wrong – or possibly horribly right. We’re not sure, so let us know what you think in the comments below.

It was just a simple crochet project…Gone Wrong!  

A knight holding a seam ripper, kneels before Princess YellowBelly to receive the award of Seam Ripper Champion

My sister Leiajoy had always had a thing for ponchos, and since her birthday was in the fall I thought: “Hey!  I’ll crochet her a poncho in the evenings out of really bright variegated yarn and she’ll have something fun and practical to fit her personality.”

Yeah, right.

Or maybe I’m not as good at crocheting and pattern-reading as I would like to believe.  Hmm…

First Step – Finding a Pattern I Could Handle

I looked on YouTube and found a simple tutorial by an excellent crochet artist.  She made it really easy to understand, and it only involved the most basic of stitches:

  • Chain stitch
  • Single crochet
  • And a double crochet shell set

Second Step – Building the Crochet Project

Suzanna Fitzgerald, seam ripper championship for her crochet project gone wrong writer and managing editor at PYB Designs

Suzanna Fitzgerald writes for a living, but she also enjoys crafts, like quilt designing and crocheting, as her hobbies. Suzanna helps to run Princess YellowBelly Designs with her family. When she’s not in front of the computer she can most often be found behind a camera, or driving down her beloved Colorado highways.

I found some yarn I had been saving for a special occasion.  The specific yarn is from Red Heart, 100% acrylic, color “Black Light.”  It’s a really brilliant yarn in neon shades of orange, green, yellow, pink, dark blue, and black.  Just right to be woven into a complicated-looking pattern.

Sometimes fabric art projects don’t go as planned…

Third Step – Making Sure (Measuring Twice)

I practiced the various stitches in front of the computer until I had them, then I wrote down the pattern in crochet shorthand (pattern formula) and proceeded to stitch away. 

This Is Where Reality Stepped In

I had envisioned sitting in front of the TV of an evening, keeping my hands busy with a crochet hook and string of yarn, enjoying myself royally on a unique project.  Hah!

Instead, after about a week, I realized that I had made a horrible mistake.

Step Four – Tear it Apart and Start Again

I proceeded to pull the anchoring stitches, about three thick, tight lines which would become the shoulder band. 

Having successfully decimated hours of work, I went back to the tutorial.  This time I watched my internet teacher each step of the way – which still looked totally easy when she did it – as I re-measured, and carefully, carefully, re-stitched the shoulder band. 

Step Five – Are We There Yet?

This part of the neon colored waistband got pulled out three times, a simple crochet project gone wrong - really wrong

I set the shoulder band on my sister’s shoulders.

Hurrah and Huzzah!  It fit like a dream, it looked like something that could have come out of the Hippie Gucci line (if Gucci made Hippie garments).

Step Six – The Largest Part

Wildly pleased, I proceeded to stitch the body of the poncho.

Step Seven – Complete and Utter Confusion

This moment can best be described by one word repeated frequently and at various volumes; “huh?”

I looked, I peered, and I measured.  I re-measured.  I pulled out four lines of hard-fought progress, and proceeded, once again watching my tutorial step-by-step.

It didn’t matter. 

While my touched-by-crafting-angels-internet-teacher blithely showed row after row of smoothly draping poncho, my crochet project gone wrong hung in heavy, wrinkled folds.  Obviously I had too many stitches in each row for the design – but how?

*I actually came up with a really great trick for keeping tracks of rows when working in the round – read all the way to the bottom to see it!

Step Eight – Help!  

Admitting defeat, I went to my wise and artsy mother who had taught both me and her own mother to crochet (at different times) and asked her what she thought.

Together we went through the pattern, my style of crocheting, my tension, and the instructional video twice over. 

Finally we determined that – for whatever reason – the original pattern was too loose.  We weren’t sure why; if it was the yarn, the size of my crochet hook, my inability to count properly, or what.

Step Nine – Redesigning the Pattern

Together we worked the rounds of crocheting to be tighter, cutting multiple stitches out of the early rounds and severely diminishing the exponential increase of each succeeding row.

Step Ten – Finally! 

My crochet project hung nicely, slowly expanding out from the shoulder band like it was supposed to. 

It was bright, it was easy, it was beautiful.  I finally had my pattern memorized, and I worked down roughly fifteen rows (which was a lot of yarn!)

Step Eleven – Trying it on

My patient sister tugged the half-finished design over her head, eager to see how much more I had to do. 

We stood and stared, stunned and disbelieving. 

Everything look perfect – it really did.  Except!  Our custom alterations to the pattern had not only taken out those unsightly folds, it had tightened the entire design. 

The project had not only taken a hard right turn from my hopes, the body of the poncho was now so tight that she could not move her arms, at all. 

Step Twelve – Scream Loudly 

This was rather a splendid scream, as the three of us – a loving mother and her two daughters – shared the frustration equally by that point.

Step Thirteen – Accepting Fate

I’d love to be able to say that I persevered until I got the poncho that I originally wanted, and that it was beautiful, and my sister loved it, and that I learned something valuable.

Well, I did learn something valuable, but the rest of it…not so much.

Instead, after the screaming died down, my sister discovered that she could very easily pull the poncho down her arms, and that it fit at her natural waistline. 

We sat and stared, in a good way for the first time through the course of the project. 

Slowly, it dawned on us that the shape our so-called poncho had taken was very similar to an A-frame skirt (which happens to be a very appealing style for my sister’s body shape). 

The Continuing Saga of the Amazing Mutating Skirt

My crochet project gone wrong mutated from a poncho into a skirt.  But!  My project wasn’t done giving me fits. 

I finished the crocheting, and my mother sewed in a black cotton underskirt for modesty and comfort.  My sister wore it as part of a crayon costume at summer camp, and a few years later she proudly wore it to a business conference. 

That skirt has seen a lot of miles, in more ways than one.  It is, after all, the amazing mutating skirt.

The skirt has kept growing!

Even after we sewed the sides to the side seams of the cotton underskirt it kept growing.  Now, every two years or so, I pull out about a half a ball of yarn, shortening the skirt back to just above her ankles. 

I don’t know where all the extra yarn is coming from, because the skirt doesn’t look stretched, or thin, or anything that would indicated the whys and wherefores of all that extra yarn. 


So there it is for you – the saga of a crochet project gone wrong, which turned a poncho into an amazing mutating skirt!

I did learn some things about crocheting, though.

Leiajoy Fitzgerald wearing her amazing mutating skirt, a crochet project gone wrong, on the beach at a business conference in Florida

Maybe my crochet project gone wrong wasn’t such a disaster after all. Here’s Leiajoy wearing the amazing mutating skirt at the beach, moments before walking into our yearly business conference!

Tips:

  1. When working on a round pattern use a safety pin to mark the beginning of the last row.  That way you instantly know when to switch stitches.
  2. Make sure to do the foundation rows (in this case the waistband) when your total concentration is on it.  Don’t begin crocheting in front of the TV until you are on the simple, repeating part of the pattern.
  3. Try to match your tension with the original pattern as much as possible.
  4. Be ready to change your plan.  Crochet can be a bit unpredictable.  An afghan that you sized for a twin may grow into a queen or even a king.  Or a garment may become something totally different.  Being ready to adapt can save you a lot of frustration and time spent pulling those hard-won stitches.
  5. After finishing a project, go in and put a drop of fabric glue into each knot where you tied in a new skein of yarn (either for continuing or for changing colors).  This will help to preserve your beautiful creation in the long run!

Final Thoughts

Remember to have fun with your crochet projects.  You will run into snags, but you’ll learn something from them, every time.  And, with a little faith and perseverance, you may create something even more beautiful, and useful, out of your mistakes than you could have imagined!

You Could Be Our Next Champion

Suzanna had a lot of fun – and gave us a lot of laughs – and we’re going to enjoy having her as our champion for the next three months.

BUT! 3 months goes by awfully fast, and we’re already looking for our next Seam Ripper Champion. Will our next Master of Disaster be you? We hope so.

Please submit your story after reading our simple guidelines.

A knight holding a seam ripper, kneels before Princess YellowBelly to receive the award of Seam Ripper Champion