Freewheeling With Free Motion Quilting

Lamb silhouette - quilted using free motion quilting techniques

For quilters everywhere – but especially for fabric artists – free motion quilting is the most fun you can have outside of bars & bed.  In fact, as my amazing quilter friend Barb often says, “Quilting keeps us off the streets and out of the bars,” in the first place. 

You might be able to tell that free motion is my favorite part of the entire quilting process.  

I can get positively tipsy on the entertaining, creative liberties of freewheeling around loops, spirals, feathers, shapes, and those odd jigsaw shapes only I understand.  I guess this is because it incorporates two of my favorite elements in fabric art; thread and freedom

Thread is one of my guilty addictions, I positively adore it. 

I love the plethora of colors and the way they can enhance any project; the colors…thicknesses…textures…variations…and possibilities. 

The freedom comes with the free motion capabilities of my machine of course.  And I do recommend that any creative quilter buy a machine that has a free motion quilting foot and put it to good use!  But I also geek out over the opportunity to quilt whatever and wherever I choose.  It’s extremely liberating! 

“FREEDOM!!!”

It’s also a little intimidating and overwhelming the first few times you try it. 

For those of you who are used to being told exactly what to do and how to do it every step of the quilting process, this is completely understandable.  I used to do things this way, and I would obsess about the final quilting process – especially when the pattern would say, “quilt as desired.” 

I mean, what did THAT mean?  Gradually, though, I realized that I could quilt almost anything, and it would look great, especially with the right thread choice. 

As I share my journey from timid, mouse-in-the-corner, follow-the-lines quilter to a freewheeling genie, I hope you’ll get inspired to unleash your inner creative tiger, and let loose in the colorful world of thread and free motion quilting.

Plastic Guidelines for Free Motion Quilting

As I quickly learned quilting styles like “quilt-in-the-ditch” will only take you so far.  And while those are useful techniques that certainly have their place in certain projects, you can do and be so much more when you drop the feed dogs and spin your quilt through the machine.

Using Iron-out Pens

When I first started with free motion quilting, I bought a lot of those plastic quilting guides that you lay down over your project and trace over with an iron out pen. 

This is great if your project needs a specific pattern, but is very impractical when you’re doing a large project as it takes a long time.  Ya’ll may remember my great capacity for patience…so, yeah.  Moving on.

Using plastic guides also uses up your iron-out pens pretty quickly, and those puppies don’t come cheap!

Using ponce chalk

After this I tried the ponce and chalk option.  A ponce is basically a small box with a sort of cheesecloth bottom.  You fill the box with powdered quilting chalk and bang it down over your plastic quilting guide until the chalk marks out your quilting design.

 I found out that while it certainly is faster, it’s also a great deal messier, with chalk on everything, including up your nose and in your eyes. 

The biggest trouble here is that powdery chalk, by its very nature, rubs off, and you can only do relatively small sections at a time.  Also, I discovered that some fabric is slippery (even cotton ones), and the chalk just slides right off. 

Also the pattern is much clearer if you have extra hands hold the plastic guide down – and my kids had a weird aversion to me banging the ponce down over their fingers.  Go figure. 

So now, if I have a specific pattern I want, and the fabric is dark, I will use chalk, but I use my chalk line drawing tool and I only do this if the overall project is small. 

This method made the star shapes on my ‘Camel Panel.’

Unavoidable Errors 

I also learned that the only real way to get a perfectly quilted design is to have a long-arm, computerized quilting machine.  But since I don’t have $30,000 to spend on a machine that won’t fit in my house anyway, I had to learn to live with human errors. 

At first these unavoidable jigs and jags would make me wince, but no one ever noticed them except me, and given enough time, even I could barely find them. 

So I thought, “what the heck, why go to all this trouble if no one but me really notices.”

Next, I bought a few free motion quilting how-to books that teach you how to do this the “right” way.  And if you’re drawing challenged – like my girls – these might really work for you.  I can’t recommend any of them, however, because that’s not how my mind works. 

I also find it impossible to make every shape the exact same size each and every time. 

This is especially true when I quilt the feather shape – my feathers change size and shape with alarming regularity. 

Natural Free Motion Quilting Styles

Finally, I found a teaching video by Judy Hansen entitled Free-Motion Quilting for Newbies, it’s an absolutely super teaching video. 

What I liked most about it was that Judy gives you permission not only to experiment, but also to make what I used to call a mistake but she only considers variations in the pattern.  As she says, “Nothing in nature matches, so don’t worry about your quilting patterns matching exactly.”  What freedom! 

This permission slip really started my creative juices flowing, and now I am fearless when I start quilting a new project.

No one will know you’re perfect – even if you are

The thing you’ll notice is that non-quilters will be so awed by your talent that they’ll never notice a few wigs and wa-wa’s.  More importantly, when you stop trying to impress everyone with your perfection you’ll set your soul free.

Amazingly enough, you’ll also find that the brain sees what it expects to see.  Your eye may be seeing one thing, but your brain will present a completed image.

For example, if you’re looking at a quilted piece your brain will show you a beautifully quilted overall pattern, no matter the wa-wa’s.  You have to actually stop and look very carefully before your brain picks up any ‘imperfections’.

Most people will not take the time to do this, and you’re home free!

Listen to your quilt

This’ll sound weird to non-quilters, but if you listen to your quilt project every step of the way, it will tell you what pattern that it wants to be quilted with. 

For instance, my ‘Winter Wonderland Panel’ wasn’t originally a fantasy landscape.  I came to understand, however, that there were fairies hidden in the woods.  They were shy, but definitely proud of their wings. 

So, if you look closely, you will find 3 sets of fairy wings in my quilting.

In the mermaid quilt that I’m currently sewing, I’m going to use a wave pattern, as the borders represent the ocean.  So look carefully at your project and let it tell you what it needs to really shine.

Thread – Thread – Thread – And More Thread

Think carefully before you pick your quilting thread. 

The color you choose will make a great deal of difference to the finished look of your project.  Here again, the quilt will let you know. 

Sometimes you’ll want to highlight the design and not the quilting, and so you’ll need either invisible thread or a color that matches exactly.  This is what I did with my mermaid panel.  I wanted her to shine and the quilting to be almost invisible. 

If the opposite is true, and the quilt design isn’t such a much, pick thread that will really make your quilting design pop right off your project. 

I like to try my choices out on a scrap of corresponding fabric first, to make sure that my thread color and design are going to look like I think they will. Practicing on a fabric scrap will also let you adjust your tension and motor speed.  If something isn’t right, you won’t have to pull it out.

Think of everything in the box

To aid in picking out the right thread, I go through all my thread boxes and pull out anything that I think might even remotely work. 

Two rows of different variegated threads on different sized spools - beautiful, vibrant colors

If I can’t tell if the thread is right just by laying the spool on my project, I unwind about a foot of it and puddle it on my project.  This makes it fairly easy to see what it will look like once you sew with it.

Don’t be afraid to try some really odd combinations – sometimes the weirdest thread/fabric combos are just what is needed.  

A word about the importance of bobbin thread in free motion quilting

Your bobbin thread is important – and usually you’ll want it to just disappear into the backing of your quilt.  Sometimes, however, your machine will drag the bobbin thread through to the front, just enough to show. 

If this happens, make sure that your bobbin thread disappears on the front even at the expense of the stitching showing on the back. 

Before you load your bobbin into the bobbin case, I highly recommend that you first insert a magic bobbin washer.  These are Teflon washers that feel like plastic.  They go between your bobbin case and your bobbin, and fit any home sewing machine. 

They’re made by a company called “Little Genie” and are absolutely magical in what they do for your quilting!  If you’ve ever quilted a project and turned it over, just to discover a bunch of birds’ nests, you will know why you need this super little invention. 

Such a simple thing, yet these little washers will eliminate 95% of all backlash tangles and birds’ nests on the underside of your quilts. 

They come in a package of 12 and are very reasonably priced.  Since they’re made out of Teflon they don’t wear out – I’ve only ever purchased one package and I’ve been using them for about 6 years. 

The only trouble is that if you’re not careful when you take your bobbin out of its case, these little rascals will pop right out and fly away. 

Good thing I have my kids to crawl around on the floor to find them again!

Not All Quilts Are Quilted Equally

Once you know what pattern you want to quilt and the top thread you’ll be using, give some thought to different areas of your project. 

This is especially true for quilts that are made using printed fabric panels

You may want to free motion quilt around the shapes in the panel, and then stitch in the ditch around whatever quilting blocks you’ve used to enhance the panel – as was the case with my ‘Home Pastures’ quilt. 

Some areas only need a straight quilting stitch, no matter the pattern you’ll be sewing, but sometimes a smaller area will be screaming for a fancy stitch.  If your machine has this feature, don’t be afraid to explore these.  My Bernina has about 70 fancy stitches and I use these a lot, but only in small areas. 

A word of caution, each different stitch usually has a motor speed that optimizes the pattern.  If you try sewing that particular stitch too fast or too slow, the pattern will be skewed. 

This used to frustrate me horribly until I sat down one day with a lot of scrap fabric, and played with each stitch and the motor speed till I found the optimal combination.  I wrote it all down and Suzanna made me a chart that I keep in my sewing feet box. 

Now, all I have to do is reference my chart and I’m good to go.  I would highly recommend you do the same for your machine – it saves a great deal of time, frustration and thread!

Let’s Go Freewheeling with Free Motion Quilting

Now you’re finally ready to start! 

  • Your quilt sandwich ironed and crease free
  • Your machine is loaded with your choice of thread
  • And you’ve set your machine to the stitch you’ve chosen.

Now it’s time to put on the clear plastic free motion quilting foot, drop the feed dogs, position your quilt at your chosen starting point, and put the pedal to the metal. 

Tips to Make Your Free Motion Quilting Go Faster & Look Better

1.      Don’t trim your project before you quilt it. 

Free motion quilting is especially bad at warping a quilt sandwich in every direction.  If you trim before you quilt you will have to trim again when you’re done and you could lose important parts of your design.

2.      Always start as close to the middle of your project as possible.

This helps you to smooth out any excess fabric to the edges as you quilt and eliminates bunching.  As you quilt, use your hands, wrists or even your elbows to hold your fabric taut.  The tighter you can hold it, the smoother your finished project.  Once you have the middle done, move out towards the edges, smoothing as you go.

3.      Get rid of thread tails before you start quilting.

When you arrive at your starting point, drop your free motion quilting foot, hold onto your top thread and run your needle through the quilt once to bring up the bobbin thread. Pull this through to the front, backstitch a few stitches and then start quilting. 

This eliminates all those pesky thread tails on the back that get tangled in your quilting and are a pain to snip out later.  I used to make the kids do this job, till I learned this trick, and they almost kissed my feet when I started this practice.  Also remember to backstitch when you arrive at the end of your stitching, and snip off your thread as close as possible both front and back.

4.      Don’t be too impatient to get all your quilting done in one go.

Shepherds look at the star of Bethlehem - quilted using free motion quilting techniques

I used to be.  Take the time to stop and tie off when the pattern demands it and then start again somewhere else.  It makes a real difference to the final look.  It can also make a difference to the warping of a quilt – as you can drag the sandwich completely out of kilter if you quilt too heavily to one side or the other without balancing it out. 

5.      Don’t hesitate about changing your thread colors.

If you don’t like the effect of a thread on a differently colored section or the project demands it.  Different colors in different places can make different design elements pop.  Sometimes you may want to use metallic threads in places like eyes (on panel quilts) or match element colors, like on landscaping quilts with distinctive skylines. 

6.      Consider quilting gloves.

I have tried wearing those white quilting gloves that are supposed to help your hands grab the fabric more securely – and they do.  But, (and there’s always a “but” isn’t there), they are a real pain when you need to work with your thread.  Being who I am, this drives me crazy, always having to take them on and off so I stopped using them. If this doesn’t bother you then use them by all means, because they do help.

7.      You can experiment with other quilting helps

Safety pins, bicycle clips, and more help some quilters – but remember that these will always have a downside.  How you quilt best will depend upon your personality (patience level), how big your quilts are, and how easily you find it to create patterns without a guide.

8.      When you quilt always remember to use a fast speed but slow hands. 

There is a great temptation to swoop and dart and swirl around with your quilting because fee motion is so freeing.  However, if you do this (and I did at first) your thread won’t be able to keep up, and there will be many places where your thread will jump large spaces, the quilting will be uneven, and you’ll be able to pull the entire line out with your fingers. 

So always remember, fast needle and slow hands!

These are all the tips I can think of right now.  There is nothing like laying out your project after you’ve quilted it and being thrilled with how it’s turned out.  So be brave intrepid fabric explorers and let your inner quilter loose!

Variegated Threads for Quilters – Oh, the Wonderful Variations of You

Variegated Thread on a purple and pink fabric art quilt

Adding Possibilities to Your Fabric Art Projects with Variegated Threads

Of all the things you need to create a sewing project, thread is the second most important – fabric being the first.  This is really great for me, because of all the different things that make up a sewing project, thread is my very favorite.

I’m like a kid with a new box of crayons every time I open my thread boxes.  And, if you think I have trouble passing by other notions, thread is the straw that breaks this camel’s back.

Two rows of different variegated threads on different sized spools - beautiful, vibrant colors

Variegated threads = endless possibilities

When you go into any quilt store they have racks of the most gorgeous thread colors ever!  And they’re always coming up with new and better types of thread.

A Thread to Rule Them All

Of all the choices available to me, my very favorite are variegated threads.

The “variegated” part of the name comes from the color variations on each spool.  Some variegated threads come with only two-tone variations, others have as many as ten different colors fading back and forth.

These threads are fairly new in the quilting world, so the options available in this category are more numerous every time I go to the quilt store.

The girls actually had to pry some spools out of my hand on Wednesday, and physically drag me away from the thread displays.  They very logically told me I had nothing to use these particular colors on at the moment – and I had too much other stuff to do – before I could come up with a project that would utilize these threads.

I’d like to know what logic has to do with anything when you’re in love.

Four variegated thread spools in blues and pinks

These are all great color blends that work well on a surprising variety of projects and color schemes.  Second spool from the end is the turquoise/lavender variegated blend I managed to snag the other day!

However, since I’m supposedly the voice of reason and common sense (because I’m the Mom you know, and therefore the most mature – ha! – and still setting an example), I reluctantly put those gorgeous spools back.

I did manage to get one spool that’s variegated in soft turquoises and lavenders – which will work beautifully with the mermaid quilt I’m making. Also, since I sew with turquoise and purple a great deal, I’ll be able to use it on different projects as well.

What Variegated Threads Cost

Knowing how much I love these threads, you’re probably assuming that I have a plethora of them in my thread boxes.  Sadly, this is not the case because variegated threads are fairly pricey.

Think of variegated threads as being the “1 percenters” of the thread world, and metallic variegated threads as the “1 percent of the 1 percenters.”

So I’m very careful that what I buy is within my means.

Summer and spring, pink, yellow, and purple colored variegated threads

These are my spring and summer collection – although I have also used these bright and attractive colors on fantasy panels, and to top-stitch quilt my one and only Jinny Beyer beauty.

My advice to you is to be very sparing with how many variegated thread spools you purchase, and think carefully before you buy.

One good rule of thumb is that a new spool has to be usable in at least 3 different projects that you’re thinking of.  If I can’t match it to 3 things, then, as much as I hate not to, I don’t purchase it.  Of course the exception is if a thread is perfect for a large and elaborate project – like my mermaid quilt.

Due to this rule of mine, I mostly have:

  • Autumn themed spools (because I’m always sewing autumn themed projects)
  • Some Christmas themed spools
  • Two-toned spools where one color is white (these work on a surprising number of projects)
  • Metallic variegated threads (because I also love metallic threads, so I double my buck-bang)

3 orange and yellow variegated thread spools

My three favorite “autumnal” variegated threads – these have made their presence known in probably 15 different projects over the last 3 years.

Many variegated threads can also cross “theme lines”.  For instance, my orange/yellow blends can be used in autumn projects, sunset projects, and flower appliques.

Also, these threads come on different sized spools.  If I’m only going to be using it occasionally, I buy the smallest spool available, but frequent use spools, like autumn themes, I buy in the largest spools available.

Available Types of Variegated Threads

Remember Forrest Gump’s famous line: “Life is like a box of chocolates; you never know what you’re going to get.

This is the reason I am so enthralled by variegated threads – even though you can see some of the different colors on the spool, you never know exactly what it’s going to look like till you sew with it.  It’s a surprise every time.

Not only are there color variations on a single spool, there are different types of variegated threads on the market these days, which is totally awesome!

How to Use Variegated Threads

Due to the expense and because of their beauty, I never use variegated threads for regular seam sewing.  Variegated threads are made to be noticed, so my advice would be to use them where they can be easily seen:

  • Top stitch quilting
  • Panel outlining
  • And appliqueing

I especially like to use variegated thread when I’m appliqueing with a satin stitch.  The tighter the satin stitch, the more your variegated thread will shine, because only then can the variations in the colors truly be appreciated.

Variegated thread is also one of those rare items where brand and thread quality is of secondary importance.  If you’re going to use variegated thread, then use it for the color and how it compliments your project – not by how expensive the spool is.

Water Lily Summer Table Topper - variegated thread example

This is one instance where variegated thread really, really shows up.  We liked this project.  Then we added the dragonfly appliques and the variegated thread stitching.  Now, we love this table topper.

Bright autumn table topper with variegated thread highlights

This is a perfect example of how variegated threads can take you to the next level.  This particular table topper was an experiment – we used all scrap materials, and leftover batting pieces.  When we had it together, it was really nice.  Then we decided to do the seam stitching with thick variegated thread.  We discovered that not only did it look fantastic – but that it was the way to make these leaf table toppers.  Incidentally, this item sold out within a few months…not bad for an experimental design!

With that being said, these are some of the brands that I have used:

1.     Amann Group-Mettler

They carry a nice line in Silk Finish Multis with spools from 100yds. – 500yds.

2.     YLI Corp.  

This is made in Rock Hill, S.C.  This is their 100% cotton quilting thread with 500m a spool so it lasts almost forever.  And yes, those are my autumn spools.

3.     King Tut Superior Threads

Also 500yds/spool.  They’re made in Japan and are great to sew with.

4.     Coats

They’re carrying some 200yd. spools for machine embroidery, but they work great in regular sewing machines as well.

5.     Isacord

They come on those bigger green spools that are bell shaped and hold 1000m/spool so make sure you’ve got a lot of projects you can use that particular color on.

If you remember to use these threads as the icing on the cake, rather than the cake itself, you’re projects will really shine and the extra expense will be well worth it.

Two neon toned variegated threads - multiple bright primary colors

I honestly don’t know which spools of variegated thread in these pictures belong to which brands – the labels come off easily with these threads, and I forget.

Oak leaves on an autumn quilted panel

Bonus Tip!  Variegated threads can also be used for blending in.  Although you can’t see it, this bright autumn tree panel was heavily quilted with variegated thread in the top stitching line.  

All That Glitters is…Metallic Thread

Quilted mermaid with a treasure chest in a coral reef panel

A Comprehensive Guide to Working With Metallic Threads

Metallic threads are a wonderful, if frequently frustrating, addition to the world of quilting.  Here we’ll talk about:

  • Why we love metallic thread
  • How to overcome the problems metallic threads cause
  • And what types are available

The Science behind Glitter…and Metallic Threads

As all you fashionable ladies know, adding accessories to your fancy outfits can take an ensemble from nice to great in one fell swoop.

If your accessories glitter, that’s even better!

A little glitz really adds a LOT of bang for your buck.  A gold necklace can take a black sweater from austere to rich, or a string of pearls can soften up a business suit.

Some of this is the human appreciation for beauty.  Some of it might be the added perception of value – if it glitters, it must be worth more.  I tend to think that a lot of it is the child within all of us, reaching out for something sparkly.

However it works, just know that most people enjoy sparkles, glitz, and glitter.

Quilted mermaid with a treasure chest in a coral reef panel

This picture of our mermaid in a tropical sea represents why we sew with metallic thread.  The glitz and glitter can create an incredible feeling of 3-dimensional life when working with 2-dimensional mediums.  The question is: “How do I achieve these results?”

Metallic threads are the quilting world’s glittery accessories, and they provide the exact same kind of instant love and attraction for quilters and non-quilters alike.

Metallics aren’t appropriate for every project, but it’s amazing how many places you can add them. And, just like your fashionable bling, they focus the eye, take your project up a bunch of notches, and make others “ooh” and “ahh” over the amazing talent of you.

The Problem with Metallic Threads 

I don’t believe that “no good deed goes unpunished” but I do believe that for every wonderful thing in a quilter’s life – there is a downside.

  • Sewing machines make sewing 100 times easier – until they break down
  • Velvet adds texture and depth to a project – but you can’t iron on it
  • Metallic threads are beautiful – but they are very challenging to sew with

Sewing with metallic threads can drive you zazbatt, because they have an annoying tendency to break, or strip out in the needle’s eye.

I first tried sewing with these sparkly threads about 5 years ago, and I quickly gave it up because they made me want to commit seppuku.

At the time I swore to heaven I would never, ever touch another thread that had a touch of glitz.  However, like all addicts, I eventually got pulled back in because these threads are so very beautiful.  This is where the closet masochism of quilters comes in.

Things in the quilting world had moved on since I’d given up metallic threads, and the new products convinced me to try again.

Different kinds of metallic threads in primary colors

There’s huge variety available to quilters when it comes to choosing the right metallic thread.  From cheap spools that can be found at Walmart, to designer quality only found in quilt stores, there is glitz and glitter available for your budget.

Time, trials, blood, sweat, and tears taught me a few things about using these diva-level beauties, and here is what I learned.  There are two major tricks to handling metallic threads without going entirely insane:

Use the Right Needles

They now make special needles just for metallic threads.  How awesome is that?

Metallic thread needles have been manufactured so that the problem of your thread being stripped as it goes through the eye is greatly reduced.  (I’m not sure how this works, but I sure love the results.)

Some brands of metallic threads are more prone to stripping than others – particularly monofilament metallic – but these needles make the process much more enjoyable.

They’re also widely available, from quilt stores to Walmart.  The most easily available metallic needles are made by SCHMETZ in size 80/12.  You can get needles for metallic threads in various sizes, like any other needle, but I prefer the size 12 needles for my topstitching because they leave smaller holes than the larger ones.

Irridescent purple, gold, and silver holoshimmer metallic thread

These Sulky Holoshimmer threads are the most beautiful metallic threads available today.  However, they are the most difficult to work with.  Do not attempt to use if you are a beginner, or if you don’t deal well with constant breakage in your thread.  

Desperate Times Alternative

Once, when I needed these wonderful metallic needles very badly and the stores were out, a clerk suggested that I try the Jersey needles – also made by SCHMETZ – and surprisingly they work almost as well.  Jersey thread needles are designed to handle slippery fabrics and delicate thread, so I keep a package as back-up.

Proper Bobbin Techniques

The breakage problem with metallic threads can be largely mitigated by working with your bobbin tension and the thread you use in your bobbin.

When I first started sewing seriously I always used the thread I was using in the topstitch line for my bobbin thread, and I almost always left my bobbin tension at its default setting.  I eventually discovered that this is seldom a good idea, and never, ever when you’re sewing with glitzy threads.

*Note: These bobbin rules work for any type of lightweight or monofilament thread, especially invisible thread. 

Finding the Right Bobbin Thread

One nightmare I lived through was using the same metallic thread in the bobbin that I was using on top.  Not only was this a huge waste of this pricy thread – it snarled up within a few inches.

Eye of a fairy quilted with silver metallic thread

Sometimes all you need is a single spot of metallic thread.  On this large panel we used silver metallic thread only in the eyes of the fairy.  This is also a great way to start for beginners – but here’s a tip, loosen up your tension.  If you make a mistake in an eye, and tear the fabric when pulling the stitches, you’ll wreck the entire panel.  (Which might have almost happened with this Sweet Rose quilt – only we don’t admit to it!)

I also found that threads made especially made for bobbins like the Bottom Line threads, didn’t like sewing with the metallic threads.

Neither did Coats thread.

Finally, after a lot of experimentation, I found that for my machines, the best combination was to have a metallic thread on top, and AURIFIL quilting thread in the bobbin.  Since all machines a little different, you will need to experiment with your own on fabric scraps to see what works for you.

The Right Bobbin Tension

Even with the threads right, your metallic thread will still break if you don’t adjust your bobbin tension.

Again, this will vary with each machine, but on mine, the default tension is 4.  To successfully sew with metallic thread, though, I have to lower the bobbin tension to 2.

Play around on a scrap piece of fabric until the threads are pulling evenly through your machine.

Copper and gold metallic thread by Coats

These beautiful colors work well on many different types of projects, and are almost as easy to sew with as normal threads.  

*Side Note on Scrap Experiments:  Your experiments will be useless unless you’re sewing on a scrap that is very similar in texture, fabric, and thickness to the project you’ll be working on.  I try to keep a few scraps from my cutting for experimenting on each project.  For example, if my project has cotton fabric on top and bottom, and 2 layers of batting, then I’ll make my scrap piece the same.  This way you can get a much better idea of how the thread will perform in this instance.

What’s Available in the Wonderful World of Metallic Threads

Quilters have obviously clued into the beauty of metallic threads, since there are now many more brands available, and, as you would expect, they have different applications.

  1. COATS

As of now, Coats carries gold, bronze and silver thread.  Their thread is heavier so that it shows up more when you’re straight stitching.  I use these when I want a very definitive look to my quilting – like when I’m highlighting.

  1. SUPERIOR THREADS

This company now has a large inventory of metallics, and the last time I was in the quilt store, I noticed that they even had some variegated colors.  I’m thinking hard where I can use them so that I can justify buying one or two.  This is a medium weight thread and works well when you have areas where you require heavier quilting like satin stitching.

  1. ULT PAPOS

This thread is made in Japan, and is a nice mid-weight thread.  However, I’ve only found it in the size of Serger spools, and this doesn’t work well on my machine.  You can overcome this irritation by spooling the thread onto an extra bobbin, and then using the bobbin as though it were a topstitch spool.  ULT Papos does make very nice rich colors like royal blue, true red, and Christmas green.

  1. YENMET

This thread also comes from Japan, and comes in smaller spools of 500m.  Once again, it’s a mid-weight thread with lots of rich colors available.

  1. SULKY HOLOSHIMMER

The secret to these threads are in the name – they shimmer because they’ve got lots of tiny iridescent variegations throughout.  I use these when I’m doing fantasy panels like mermaids and fairies.  These threads are my personal favorite because of the amazing colors – but they do have a downside, they break…a lot.  And there’s really nothing to do about it since this is an extremely lightweight thread, and very thin.  I often compare it to tiny strands of tinfoil.  It’s also quite stretchy and so it also strips more easily than the other threads, but if you’re wanting to create an ethereal effect, this is the thread to use.

Coats metallic threads, copper, gold, and silver

Coats Basic Metallic Threads

Large spools of metallic thread in purple, red, green, and blue

A Mix of Metallic Thread Brands

Royal purple thread with flecks of metallic gold thread

Either Yenmet or Ult Papos (the label’s long gone)

Iridescent blue and green variegated metallic thread

Sulky Holoshimmer (this is the thread used on the mermaid)

There may be other manufacturers out there, but these are the ones I’ve found and use all the time.

One Final Note 

No matter which thread you choose to sew with, you will have to dig deep for extra patience.  You can’t zoom along when you sew with these (in fact I recommend setting a low motor speed if your machine has that function), and no matter how careful you are, there will still be more breakage that with regular cotton threads.

I always try to sew with my metallic threads in the early morning, when I’m fresh and my patience meter is full.

Super large spool of red metallic thread

Even though metallics pose a real challenge, I would encourage you to try them, because as I said at the beginning, the bling they provide will take your project from merely great to effortlessly awesome.

 

Highlighting with Black Thread

golden brown eye of an owl, fierce with black highlights

Have you ever looked at a spool of solid black thread and either thought it was the most boring thing in the world, or that it could only have limited applications?  After all, how much can you really do with solid black thread?  It turns out there’s a lot of things that black thread is useful for, starting with knowing how to highlight with black thread.

I both love and hate sewing with black thread, and for exactly the same reason – it’s almost impossible to see when you’re sewing on black material.

Tips for Sewing with Black Thread

When you’re sewing with black thread, and especially if you’re sewing black on black:

  1. Make sure you have a really good light shining right where you’re sewing.

This is why I hate sewing black on black – it’s almost impossible to see.  The great thing about sewing black on black is that it’s impossible for others to see as well.

I can see the mistakes I’m making as I’m sewing, but as soon as my project is out from under the machine, they pretty much vanish.  And you can bet that others, who don’t know what to look for, will never find it.  Your reputation for excellence will survive intact. J

For me, at least, the sewing machine light is not bright enough for black on black work.  Of course, I suffer from bad eyesight, so the sewing machine light isn’t enough for many projects.

I definitely recommend finding a secondary light source for your sewing space and especially focused on your sewing machine foot.

You can find LED lights with bendable necks (or throats or whatever those long bendy things are) and magnetic pads that will adhere to your machine so you can put the light exactly where you need it.

I like these lights for short time use only as they tend to get in the way if you just leave them there all the time.  Hence the magnetic pad.

  1. Use highlighting techniques to bring visual enhancement to plain areas

Black thread can also be very dramatic when you want it to be seen.

This thread is fabulous for highlighting areas that are not visually exciting on their own, or for quilting designs onto large areas that need quilting but have no seams to follow.  For example, I used black thread to quilt “veins” onto my dragon wings.  The wings were much too large to leave alone, yet any traditional quilting design was going to take away from the overall design, so I quilted in the veins like they were always supposed to be there and it looks great!

  1. Pop up, add depth, define dimensions, and create mystery by highlighting with black thread

Because black is such a dramatic and definitive color, it’s really useful for making certain aspects of your quilt pop out visually.

For instance, I used black around the eyes of my stained glass owl – it makes the eyes appear much deeper and mysterious.

Black also adds depth to a flat surface.  If your project has trees or walls, windows, doors, or rocks, simply highlight with black thread on the same side of each figure.  This will appear as shadows to the human eye and your piece will instantly gain depth and visual interest.

Using Scraps for Your Experimentation

Never, ever try something new on your project.

Instead, practice saving your scrap materials.  Then you can experiment to your heart’s delight and your finished project will look like: “oh, of course, she was perfect!”

This is especially true when you’re edging something; an applique, attaching a trim, or defining an edge in a piece of landscape quilting.

Experiment a little with what width looks best for the effect you’re striving for.  I like to use a satin stitch (it’s the buttonhole stitch on my machine) and then I play with how wide I want it.

Barb doesn’t like a really tight satin stitch, so she only sews hers with about half the thickness that I do, and it looks great.  I like to make mine much more obvious, so no matter how wide I stitch, I always make it real tight. Play with it, on a piece of scrap material, and figure out what works best for you and your project.

Final Thoughts

My favorite black thread of all time is Aurifil #2692.  It comes on an orange spool of 1300 meters, and lasts quite a long time.

Just remember that black adds a lot of depth and definition to any project, and you can make it pop or disappear – whichever you like.  So experiment with it and enjoy yourself.

golden brown eye of an owl, fierce with black highlights

A combination of grosgrain ribbon, embroidery thread, and a highlighting stitch with black thread makes this owl’s eyes pop big time!  

 

Multi-colored applique feathers edged with black thread on an owl panel

Here a combination of embroidery thread and black stitching thread serve to define and separate the feathers on the owl’s wing, as well as giving depth to the overall piece.

 

Black camel silhouette against rich starry night sky

Sometimes highlighting with black thread is a very subtle endeavor.  The reins on the camels, for example, are made with black thread in a very fine satin stitch.  The result is nearly invisible, yet the camels without the reins looked ridiculous!

 

Thick black thread satin stitching on a Christmas table topper

Highlighting can also become very dramatic.  The black thread serves to define dimensions, offer pop-up value, and make the duller colors of this Christmas table topper glow.

 

Some enhancements are much too fine to do with fabric.  This spider web heart was made using a thick stitch of black thread.

 

Black silhouettes of woodland plants and vines

Black thread can be combined with other highlighting elements.  Our Small Hearts panel uses a combination of highlighting with black thread and highlighting with a black marking pen to create the multi-dimensional, romantic woodland setting.  

Blending with Beige

cream thread against an autumn table runner

Do you know what the most boring color ever is?  Beige!

  • What do you wear when you want to disappear in a crowd?

Beige!

  • When you are sewing seams and you don’t want the thread to show through on the front, and you want it to appear that there’s really nothing holding the whole thing together – what color do you use?

Beige!

I am a self-avowed lover of colors, patterns, and design.  The brighter and flashier the better.  Every time.  But here’s:

What I Didn’t Know (about that boring beige thread)

Barb taught me this when I showed her one of my projects once.  Looking closely, from the front, you could see the stitches marching down the seam.  Barb said it was because I used the wrong color thread (but I say it was also because I pressed my seams open so carefully).

Naively, I had assumed that because seams live on the back of projects, I could use whatever thread I had to hand and no one would ever be the wiser.  Barb swiftly disabused me of this notion.

From the front of a project, especially if you are a dedicated ironer, you will be able to see a quick glimpse of the thread that holds one piece of fabric to another.

There are two things you can do to fix this:

  1. You can use a thread color that matches perfectly with the material

This works for specific projects – most particularly when you’re matching blacks.

There are two problems with that, however.

First you’ll never be able to collect enough thread (even if you’re a thread-a-holic like me) to match every fabric in every single project.

The second problem is that, eventually, you’ll want to match two fabrics with very different colors and temperatures, and “matching” thread will only match one side.

  1. You can use beige thread as your go-to seam thread

Now when I say beige, I am speaking of a very specific shade of beige thread, because there are more shades of beige than almost any other color.  They range from just barely off-white to almost brown, to grayish browns, and I have tried quite a few of them.

Problems with the wrong beige thread are:

  • White shows up very easily and so do the paler shades of beige thread.
  • However – and this surprised me – if you go too dark or too tan, the thread becomes obvious again.

After trying many, many different shades, I finally settled on a creamy beige that combines the best of all the beige world, and disappears against almost any background.

This magical beige thread is AURIFIL #2310.

Beige #2310 comes on an orange spool that holds 1300 meters.  This is a lot of thread, but well worth it!  It’s a creamy color with just a hint of tan, and that color vanishes completely in almost any color material you can imagine.  It will even vanish on some textured or patterned black materials.

The Best Bottom Line Thread

I also use this same thread in my bobbin and it works great – at least for my machines.

Because it disappears so much – and you generally won’t care what color the back thread is on a seam – I double recommend using this thread as your go-to bobbin thread.

Note: I want to say a word here about those specialty bobbin threads that you can buy at most quilt stores.  They’re much thinner than your regular sewing threads and go a lot further.  It’s unbelievable how much you can get on a bobbin, and they seem to last forever.  They come in shades of cream, gray and black and I would advise you to give them a try.

The ones I have tried are Bottom Line Threads and a King Tut version.

However, I don’t use them and I blame Michael.  I used to use them and loved them, but ever since Michael decided he was my very own sewing machine repairman, they refuse to work in my machines.  I fought with continual thread breakage, huge thread snarls on the backs of projects, and endless seam ripping before it dawned on me what the problem was.  I experimented a little with my bobbins and discovered I was right, so now I load my bobbins with the same thread I use on the top, and both me and my machines are much happier.

 

P.S.  If I’m sewing black material, I usually use black thread to sew with. My favorite is AURIFIL #2692 and it does the same great job for me as the beige does.

You can read more about sewing with black threads, and all the reasons why and when you should and shouldn’t use them on my blog: Highlighting with Black.