How to Sew Binding on a Quilt with Princess YellowBelly’s “Flat and Smooth Every Time” Binding Process

how to sew binding on a quilt flat and smooth every time process
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Every quilt must be finished off with an edge, or what quilters call “binding.”  The trick is in knowing how to sew binding on a quilt, or a quilting project.  Getting a beautiful, project-relevant, and most importantly flat binding onto the edge of your quilt is not as simple as it sounds. 

It may not surprise my fellow rebelliously creative quilting artists to know that the first thing I did in learning how to sew binding on a quilt was to throw out the majority of “expert” advice.

It did take some trial and error, but I’ve been using my “Flat and Smooth Every Time” Binding Process for the last thirty or so projects I’ve done, and I get flat binding every time. 

The idea of traditional binding is really pretty simple, you make binding by cutting your fabric into strips and sewing them together in one long strip. 

The Hidden Binding Catch

Most quilt books and quilting patterns will tell you to cut your binding strips 2 ½” wide.  You then sew your strips together on the bias, and then sew the strips around the edges of your nearly complete quilt sandwich. 

There are, of course, a number of different techniques and instructions for how to sew binding on a quilt – some go fast and some are seriously time-consuming – but all of them will get an edge on your quilt. 

They just won’t get your binding to look smoothly flat and professional. 

Tricks & Tips to Get Your Quilt Binding to Lay Flat & Look Smooth Every Time

When I was new to quilting I tried a number of different techniques, line-by-line out of the quilting books, but I was not truly happy with any of them.  And if you go back through some of my earlier projects and look closely at the bindings, you will see that my bindings didn’t lay perfectly flat. 

Princess YellowBelly’s “Flat and Smooth Every Time” Binding Process

The true difference between our technique and every other quilt binding process is the strip widths.  After that you can pretty much use any sewing technique you like, although our way of knowing how to sew binding on a quilt goes quickly and requires the least amount of nitty-picky work.

Step 1 – Pick the Right Binding Fabric

When you’re at the beginning of figuring out how to sew binding on a quilt; take a good look at your project and decide if you want your binding to fade away, to make a contrasting statement, or to be a frame for your project. 

On my ‘Autumn Daze’ panels I used a mottled brown-green-gold batik fabric that I also used in the project itself.  This binding is a great example of “fading away.”  It simply finishes my fall-themed wall-hanging without drawing the eye away from the landscape scene.

However, when I’m doing a silhouette such as ‘Running Wild,’ I bind it with black.  This makes for a dramatic binding without distracting from the overall effect of my image, since the black binding picks up the black of the silhouette and nicely frames the panel.

Sometimes, though, nothing will blend in – or you don’t want it to.  Sometimes the binding itself needs to make a strong statement.  This was the case with my ‘Nazca Lines’ quilt, where I used a candy-striped binding to finish off this crazy quilt with a definite statement.

I always pick out a choice of fabrics that I think might work for a certain project and lay them out alongside my quilt. 

It often surprises me which fabric looks best. 

However, I do most often choose a fabric that I’ve already used in my project because it helps keep the flow going.

Step 2 – Cut Narrower Binding Strips

This is my biggest secret, and it’s so terribly simple I’d feel guilty about writing such a long article about it…if this one simple technique hadn’t saved me so much frustration.

Cut your binding strips 2 inches wide on the bias. 

Having the narrower strips to start with means that the binding will have less wiggle room for making pleats.  The binding will wrap much tighter around the edge of the quilt, which reduces your risk of getting bubbles, or loose fabric that can make your project look unprofessional. 

Step 3 – Find the Grain of Your Binding Fabric

Before cutting, pull gently on your fabric in first one direction and then the other.  The fabric will stretch quite a bit one way (this is called the lengthwise grain) and not nearly as much in the other direction (this is the crosswise grain).  I have discovered that you ALWAYS want to cut your binding on the crosswise grain because it reduces the stretching and eliminates most of the wrinkles that happen when your fabric is stretching too far. 

This means that you need to fold your material and cut it so that your lengthwise grain makes the 2 inches across, and the crosswise grain is the long 20 inches or so. 

When you’ve sewn the binding to your quilt, the binding won’t stretch or pull loose with time, because the stitching will pin the stretchiness of the fabric into place forever.  Cutting your fabric on the cross-wise grain usually requires re-folding and re-figuring but it is well worth your while. 

Step 4 – Cut Extra Strips

Always Cut More than You Think You Need

It’d be easy to think that you need to cut the same length of binding strips as your quilt is around.  But that’s not how it works – and don’t ask me why. 

Once you have your fabric folded right, measure the length that each strip you cut will be.  This will differ with each project depending on how you have to fold the fabric so that you can cut it on the cross-wise grain. 

large button calculator for quilting

To figure out how many strips you’ll need to cut, simply divide the total circumference of your quilt by the length of each strip you will cut.  For example, if your project is 157” around, add 15” for starting and finishing.  This gives you 172” total.  If your fabric strips will be 45” long each, simply divide 172 by 45 = 3.82, which means you cut 4 strips of 45” long each.

That total is the number of strips you’ll have to cut to make enough binding to finish your project.

Always remember to add approximately 10” – 15” to the total circumference of your quilt.  Otherwise you’ll run short, and have to cut another strip or two and try to add them on while you’ve got most of your binding attached to the quilt – which is a major pain-in-the-neck.

Step Five – Creating Binding on the Bias  

Once you have your strips cut, you’ll need to sew them back together again to make one long strip.  When I started I simply joined each strip to the next one with a straight seam, but I gradually discovered that I didn’t like that look (it’s really obvious).  Other problems with this method of how to sew binding on a quilt were:

  • The seams were very thick and made a lump in the binding
  • And they also didn’t go around corners or curves smoothly

So I learned how to sew them like a bias strip is sewn and that has made all the difference.

how to sew binding on a quilt

Sewing Bias Seams

Lay your strips end to end with right sides up. 

Lay the 2nd strip on top of the 1st at right angles so that the 2 ends make a square.  Pin this, and then sew a diagonal seam from one corner to the other. 

Trim the excess down to ¼” and iron flat. 

Turn to the right side.  You should now have one long strip with a diagonal seam joining them together. 

Repeat for as many strips as necessary. 

Always check before you sew the next strip together that you are joining the right sides.  With bias it’s not always easy to tell and then like me you’ll end up with a couple of strips sewn backwards right in the middle somewhere. 

One of the great advantages of sewing your strips together with a bias seam is that your seam starts and ends at a different place so when you know how to sew binding on a quilt, you don’t sew through 2 seams at once. Much less bulk! 

In fact, I often can’t find the joining seams on the binding when my project is finished!

Step 6 – Folding & Ironing

Iron your binding strip by laying out your binding strip wrong side up on your ironing board and spray starch.  Before ironing, fold your binding strip in half, being careful to line up your edges, then iron down. 

This will give you a long, continuous strip that is 1 inch wide with the right sides out.

Nazca Lines name tag with smooth and flat binding - want to know how to sew binding on a quilt

Step 7 – How to Sew Binding on a Quilt (Backside First)

Sewing your binding strip to your project.  This is one of my favorite steps.  Not only is it the last one, but also one of the easiest. 

Start by laying your strip on the back side of your project about 2/3rds of the way down one long side.  This starting seam will be a straight across one and thus bulkier than the others, so I always try to put it where it will be the least obvious.

Line up the raw edge of your binding strip with the raw edge of your project.  Leave approximately 4” loose at the beginning and start sewing a regular ¼” seam from there on.  I never bother pinning the binding – I just smooth and gently tug the binding and project edges as I go. 

Sew all the way around and stop approximately 4” from where the strip begins.

How To Sew Binding on a Quilt’s Corners – Back

There’s a trick to making your corners flat and smooth – of course there is! Here it is:

  • Slow down as you come to a corner and stop altogether when you’re ½” – ¼” inch away. 
  • With the needle down, lift your foot and turn your project at a 45 degree angle toward the corner. 
  • Put your foot back down and finish your seam straight into the corner, pull your project completely out, and cut off your threads.
  • Next, turn your project so that you will be ready to sew down the next side. 
  • Before beginning to sew, lift the long end of your binding strip up and over the side you’ve just sewn. 
  • Then fold it back down, so that is straight and even along both the top and side edges.  Start sewing your ¼” seam again straight down from the edge. 

Repeat for the 3 remaining corners.

Joining the Ends 

Stop sewing when you get within 4” of the beginning of your binding. Overlap the ending strip with the beginning at least 4”. This will give you 8” to get your ending seam sewn and you will need every inch of it.

To mark where to sew your seam, bring both ends together so they meet.  Mark this line with chalk at both ends, front and back.  Then, open up both ends and with right sides together match up your chalk lines and pin. 

Your middle creases should also match. 

Baste this seam and then lay the binding down on your project.  If the binding lies flat and smooth, then sew the seam with a regular stitch.  If it’s too short or too long, simply baste a shallower of deeper stitch line until the binding fits precisely. 

Trim off the excess binding, fold the remaining binding back together, and stitch down.  Ta da! 

Truth be told, joining the binding ends is nitpicky and annoying but necessary, and when you’ve done it a few times, easy.

Your binding should now be sewn down all the way around on the back side of your project with the raw edges even.  Using a water spray or steam iron, pull the binding gently away from the backing and press it flat. This is also a very good chance to inspect your binding and make sure you caught both sides of it in your seam. 

Step 8 – How to Sew Binding on a Quilt (Finish on the Front)

Nazca Lines - how to sew binding on a quilt - pink navy and white quilt on country gate

Thread your machine on top with thread that either matches your binding exactly or use invisible thread.  This is NOT a place where you want your thread to show.  Load your bobbin with thread that matches your backing fabric.

Every machine is different, so on a scrap piece of fabric, practice sewing right on the edge of a line.  Note where your foot has to be, so that you don’t sew too shallow or too deep. 

We do this because to sew your binding down on the front neatly, you must sew a 1/16” seam or less.  Otherwise, the edge of the binding tends to curl up.  So pay attention to where this seam line falls on your foot, and then place your foot in that exact same location on your binding. 

And sew slowly!!!!  If you go too fast, you will wibble wobble and either sew in too deep, or miss the edge altogether.  The tendency, when you’re sewing such an exact seam is to watch your needle.  I have found that you’ll sew a lot more accurately if you watch your foot.  Keep your foot lined up with your fabric and you’ll be fine. 

I’m a lot better at this than I used to be – so be patient and fix the wawaws when you’re done.

As you get ready to sew, you will see the seam line along the front where you sewed the binding down on the back.  This is your guide.  Simply fold the binding over until it just covers this seam and stitch it there.

How To Sew Binding on a Quilt’s Corners – Front

Of course, you must take special care in the corners.  As you come to a corner use a pin to hold down the edge and sew far enough into the corner so that binding edge stays down. 

Reverse just far enough so that you can overlap the next side over this, and then continue sewing. 

When you’re all done, spray starch and iron your entire binding again.  This helps to take out any wrikles that may have had the audacity to make an appearance and also leaves your binding looking crisp and perky.

how to sew binding on a quilt flat and smooth every time process

A Final Note on the “Approved” Method of Binding 

You will find many quilt books and “professional” quilters who turn their noses up at doing bindings this way.  For them, it’s not done right unless you sew it onto the front first, turn it to the back, and then hand stitch it down. 

Barb does it this way.  It usually takes her a couple of weeks to hand sew the binding of a queen quilt.  It takes me a couple of hours. 

Choose wisely when you’re deciding how to sew binding on a quilt.

To the greater good of your quiltivity,

Karyl (aka Princess YellowBelly)

How to Applique Fabric Art Quilts with Confidence

If you have read any of my blogs at all, you will know that I love and use appliques, A LOT!  I think they are the #1 friend of a fabric artist because they are the storytellers, which is what fabric art is all about. 

Things Weren’t Always this Good, Kids

I used to avoid appliques like the plague when I first started because they seemed to be too difficult and time consuming.  And they really can be if you follow all the ‘rules’ about how they should be cut and applied.

Learn how to applique to create magnificent statement & landscape quilts

I had a friend who once made a quilt that had a swath of flower appliques across one bottom corner. 

Sound simple?  Think again.  That “simple” took her almost 2 years to stitch on (by hand) with stitches so tiny that her husband finally bought her a large, stand-up magnifying glass that she could use to see her own stitching.  The whole process gave her major headaches, and I was absolutely horrified by it all and swore off appliqueing for life. 

When I started creating my own fabric art, however, I realized several things:

  1. I hate matching corners, so I had to find a different quilting style
  2. Landscape is an amazing alternate style, but you can’t do it if you can’t applique

So, with gritted teeth, I bought some how-to books and started learning.   Being me, it didn’t take long to come up with a faster and easier way to do this, which I want to share with you here.

Break the Mold – Bend the Rules

First of all I asked myself; “Who’s ever going to look that closely at my friend’s painstaking appliqueing job on that quilt?”

Answer, probably no one, and if they do, they’re likely Quilt Nazis and who cares what they think anyway? 

Certainly not me! 

My mom – who was an extremely accomplished clothing seamstress used to say if someone was going to look that closely, then they had problems she didn’t want to even think about.  I guess that’s where my attitude comes from.

Running wild black stallion on the beach at sunset, black, orange, gold, red fabric art interior wall art

So, keeping that in mind, I came up with my quicker, faster, easier version of appliqueing.

Principle #1 – Any Shape Known to Mankind Can Be Made Into an Applique 

It’s not just about flowers, hearts, and stars.  Literally anything you can conceive of can be made into an applique. 

When I first started, I followed the appliqueing protocols and made my appliques out of tiny little different colored pieces of fabric that I laboriously cut out, laid down and stitched to make it look like a rose or whatever. 

As a quick aside, if you get into any quilting style you’ll likely figure out an easier way to do it sooner or later.  But remember, emulate before you innovate.  Doing it the “right way” the first time helps you understand the principles behind these techniques. 

With that being said, it only took this one project to make me go seeking a better way.

Principle #2 – Keep it Simple 

It’s very hard to translate an elaborate shape with lots of little pieces, etc. into a fabric applique.  So look for the simplest outline you can find.

I prefer to use big appliques in single blocks.  For instance, it’s much easier to get a custom rose applique if you fussy-cut an image out of a printed fabric swatch and use our easy process to turn any piece of fabric into a custom applique instead. 

For other custom appliques I make a habit of envisioning the end result in my mind, and then figuring out the easiest way to translate that to fabric. 

I can see what I want in my mind, but translating that into fabric is something else so I went looking for help.  My favorite resource for this is coloring book shapes on Google.  If you type ‘Treasure Chest Coloring Book Shapes’ into your search engine, you will get pages of outlines of treasure chest shapes to choose from! Or:

Absolutely anything.  It’s marvelous! Here is how to applique using these types of shapes:

  • Mermaid shapes
  • Rockets
  • Dragons

Print Out 2 Copies of the Shape You Want

One the size you’re going to use, and a small one as a guideline, because once you cut the big shape into pieces, it’s often hard to figure out how it all goes back together.

Plan a 3-Dimensional Outcome

Some appliques can be cut out of just one piece of fabric – silhouettes – for example; but if you want the others to look more realistic, you’ll have to use more than one fabric. 

My treasure chest applique on my Ocean Maidens quilt was made using a few simple layering steps:

  1. The top and front pieces were a dark brown fabric
  2. The end (or side of the chest) piece was black.  This makes the chest look 3-D in shading terms
  3. The “steel” strapping was gray fabric
  4. The lines in the boards were made with thin black yarn

You can also add hardware in the form of buttons to make a clasp or lock, or use hot-fix studs to effect the metal work on a treasure chest.   With these simple principles you can make any shape you want into a beautiful, 3-D layered applique.

Fussy Cutting Magic

This is simply cutting an image you want out of a larger piece of fabric.  The cardinals in my ‘Autumn Daze’ panel and my ‘Christmas Carolers’ were made this way, as well as all the fairies I put in anywhere I can.

You can add paperbacked soft-fuse to these images, and then use judicious stitching to pop out the 3-D effect. 

This is one of my very favorite time-saving techniques when we’re talking about how to applique, but as it’s a longer, more involved technique we’ll do an article all about this later.  But the most important tip for fussy cutting is to always use a small pair of scissors with very sharp points, to get into those very small areas in every shape.

Apply Paperbacked Soft-Fuse to Every Piece Before You Cut the Applique Out 

This helps to stabilize your fabric making it easier to cut out.  The soft-fuse also nips fraying in the bud for long periods of time, and it enables you to iron your applique down right where you want it – you can even re-position your piece once or twice if you didn’t get it right the first time.

There’s another article about this product, and you can read it anytime.

Principle #3 – How to Applique – The Actual Sewing-it-Down-Right Part

Whew, we’re finally to the actual applique part of this project.  And here you have to make two important choices; thread and stitch type.

Thread Choice

Do you want your applique or the thread itself to be the real pop-out star of the show? 

If it’s your applique, then choose a matching or an invisible thread that mostly disappears unless you look very carefully.  This allows the applique to shine forth. 

If you want the thread to pop – which is something I usually go for when doing flowers or mermaid tails – then choose thread that is a couple of shades darker or lighter than your applique so that it will show up well.  Variegated threads and metallic threads work very well for this.

How to Applique Using the Right Stitch Type

I use three different types of stitches depending on the effect I’m going for.

Straight Stitch

This is when you stitch just along the inside edge of your applique.  When you apply any type of soft-fuse product you control the fraying somewhat, but you can’t stop it completely.  This is known as raw-edge applique, because when you stitch a straight line around an applique you will have a small amount of fraying and the outer edge will look a little ragged. 

I’m not a big fan of this look unless I’m making something that should look fuzzy and fray-ish, like grass, etc.  However, appliqueing with a straight stitch uses a lot less thread and is by far the fastest way to sew an applique down.

Black stallion running wild against red, orange, and gold sunset backdrop fabric magic quilt

Straight stitch also works best for appliques that won’t fray, such as embroidery appliques that you buy at the store.

And, sometimes, when you’re doing detail work – like on a mermaid’s face, for example, you just have to do it and put it as close to the edge as possible.

Blanket Stitch

A blanket stitch is a straight stitch that throws in one zig-zag stitch every 3rd or 4th stitch.  It’s a great combination of a straight stitch’s neatness, and a zig-zag stitch’s security. 

How to applique with a blanket stitch is also a relatively easy concept – as you don’t have to go as slowly or be so extremely accurate going around the outside of an applique.  The one zig-zag will catch your applique if you miss the straight stitch part. 

I use this stitch a lot on my fabric appliques like leaves, flowers, etch.  They don’t fray hardly at all, and the blanket stitch mostly disappears on them, so it looks as if they’re just lying there by magic. 

If your sewing machine will allow it, you can also reverse the direction of a blanket stitch to accommodate your natural right-or-left-hand sewing direction.

Zig-Zag Satin Stitch

This is my favorite appliqueing stitch because it finishes up your edges so beautifully and stops all those little frays in their tracks. 

I’m NOT a fan of fraying – as you might have guessed.  Actually, I loathe fraying, and I often feel as though I’m in a war against those picky little threads.  As I sew each section of a quilt together and the frays are incorporated into the seams, I perform a little victory dance in my head. 

With a tight zig-zag satin stitch you can conquer your frays. 

I also prefer the satin stitch – which is just a very tight zig-zag – because it’s more dramatic, covers everything and just looks cool.  Variegated thread makes a stunning impact in this instance, as in my ‘Summer Lily Table Topper.’

I used a matching metallic thread to satin stitch around the tails of my mermaids in my Ocean Maidens quilt and that really made them pop.  The neat thing about a satin stitch is that you can make it as narrow or wide as you like to achieve the look you’re going for. 

How to Applique – That’s All Folks!

And that’s it.  That’s all appliqueing is – finding the shape you want, cutting it out, applying soft-fuse, and sewing it down. 

Don’t let it frighten you.  It’s actually a lot easier than it looks, and like everything else practice makes perfect, or as perfect as anything man-made can be.  Plus appliqueing is fun, endlessly creative, and saves a lot of time on matching pesky points!

To your increased Quiltivity, see you next time…